We have received a donation of 3 pedal cars from the Toys of Yesterday Collectors Association. The cars were made by Hughie McGrath (now deceased) in his workshop in Monkstown. The pedal cars are made from recycled materials. A mechanic and welder by trade, Hughie built his first pedal car at the age of twelve. Hughie’s wife Mary deserves lots of credit as well as she spent many an hour polishing the brass! The Rolls Royce, Bugatti and Hispano Suiza pedal cars are on display now at Tara’s Palace Museum of Childhood!
Rachael Duffy will be in the museum this Friday 21st September to play the harp between 11am and 12noon. Here is a link to a photo of her recent performance at the museum. http://www.facebook.com/photo.php?fbid=10151163729631294&set=a.10151163729361294.496585.109471921293&type=1&theater
Why does the Harp feature so widely as a symbol in Ireland?
The harp has been used as a political symbol of Ireland for centuries. Its origin is lost in the mists of time, but from the evidence of the ancient oral and written literature, it has been present in one form or another since at least the 6th century or before. According to tradition, Brian Boru, High King of Ireland, who died in 1014 at the battle of Clontarf, played the harp.
Since 1922 the government of Ireland has used a left-facing harp as its state symbol. The harp emblem is used on official state seals and documents including the Irish Passport and has appeared on Irish coinage from the Middle Ages to the current Irish imprints of Euro coins. The harp is also traditionally used on the flag of Leinster.
The harp is also used extensively as a corporate logo, for both private and government organisations. For instance Guinness uses a harp facing right on its labels and less detailed than the version used on the state arms. Relatively new organisations also use the harp, but often modified to reflect a theme relevant to their organisation, for instance; Irish airline Ryanair uses a modified harp, and the Irish State Examinations Commission uses it with an educational theme. The Police Service of Northern Ireland and Queen’s University of Belfast use the harp as part of their identity.
Excerpts from an article by the Somerville News http://www.thesomervillenews.com/archives/26182
While miniature books are by their very definition are smaller than other books, they are every bit as collectible as their larger counterparts. In fact, collecting miniature books has become so popular that enthusiasts have even formed a Miniature Book Society.
Oftentimes people think they have a miniature book in their collection, but it is really just a small book, and not a true miniature. Usually, to be considered miniature a book must measure less than three inches, which is why some miniature books do come with a magnifying glass. Here are some examples from the Tara’s Palace Library
It isn’t just book collectors who are interested in miniature books, but miniaturists too. Collectors of all things miniature use miniature books to furnish dollhouse libraries.
Throughout the 1400s and 1500s books were very expensive luxury items that were affordable only to the wealthy, privileged few. Because books had to be portable, mostly for students and people on pilgrimages, they began making them smaller. Some of the books measured four or five inches, but most were even smaller than that. In the 1700s and 1800s, miniatures began to be made mostly as novelty items. They used less paper and they were made in order to be carried or to be used as gifts.
Making a miniature book is very hard work because of the detail involved, but when it’s done right, the result can be truly amazing. Today there are still people who design wonderful miniatures.
Posted in dolls, Dolls house, Ireland, Powerscourt Gardens, Tara's Palace, Wicklow
Tagged book collectors, collectibles, dollhouse, library, miniature books, miniature enthusiasts
THE GATHERING IRELAND 2013
Next year is the year of the Gathering in Ireland.
Whether you’re Irish born, Irish bred or Irish in spirit, get involved and celebrate a year of Irish connections. The Gathering Ireland 2013 is about planning special events or Gatherings, driven by groups and communities of every kind that will highlight what is great about that community and Ireland as a whole.
Tara’s Palace is Ireland’s largest period doll house. It contains 24 stunning rooms, furnished in the Georgian tradition and featuring pieces by Fred Early, Michael Walton and John Hodgson to name a few. Tara’s Palace is part of the Museum of Childhood which features antique toys and dolls, historic childhood bygones and doll houses dating back 300 years.
Tara’s Palace Museum of Childhood www.taraspalace.ie is inviting Doll House and Miniature Enthusiast individuals or clubs from where ever you are in the world to Gather at the museum to share your knowledge and experiences and to celebrate all things miniature!
Tara’s Palace Museum of Childhood is situated on the Powerscourt Estate www.powerscourt.ie The museum is spread over three rooms in the magnificent Powerscourt House. The Estate features award winning gardens, an 18 hole golf course and the 5 star Ritz Carlton Hotel.
Gathering events will take place every day of every month of the year, in every county. We would hope to organise our Gathering for May 17th 2013 (date is flexible). If you would be interested in attending can you contact me, Nicola O’Connor at email@example.com or call +353 86 8607068.
Posted in dolls, Dolls house, Event, Ireland, museum of childhood, Museums, Powerscourt Estate, Powerscourt House, Tara's Palace, Uncategorized, Wicklow
Tagged 1:12 scale, antique doll, antique toys, doll house enthusiast, Fred Early, John Hodgson, Michael Walton, miniature enthusiast, the gathering, the gathering 2013, the gathering ireland 2013
Our very own volunteer Keith Dungan has given, on loan, his prized collection of model Fire Engines and some model cars including a Ferrari Testa Rossa and an E type Jaguar. The models are of European and American emergency vehicles made by Dinky, Corgi and Matchbox. Some are in mint condition, others have served their time in a playroom and show it! Scales vary from 1:72 to 1:43.
All of these models are now on show at the museum located on the first floor of Powerscourt House, Enniskerry, Co. Wicklow.
Future exhibitions by Keith will feature:
American cars/gas guzzlers
Public transport (buses & trams)
Cars of the 1950′s/1960′s/’1970′s
Trade vehicles of the early/mid 20th century
Railway models (incl. the 00 gauge Hornby engines)
Sports cars of the 20th century/Jaguar/Lotus etc.
Posted in Enniskerry, Event, exhibitions, museum of childhood, Museums, Powerscourt House, Tara's Palace, Wicklow
Tagged corgi, dinky, e type, enniskerry, ferrari, hornby, jaguar, matchbox, model car exhibition, model cars, model fire engines, powerscourt house, testa rossa, wicklow
Vivienne Dayrell-Browning was born on August 1 1905 and brought up in England and the Continent. “My childhood,” she said, “was spent moving house, which I hated.” She was a precocious child: when she was 13 a book of her poetry, The Little Wings, was published at the behest of her mother. “I felt,” Vivien recalled, describing her embarrassment at the publication, “as if I should go up in flames”. Vivien married the author Graham Greene in 1927.
During the war Vivien Greene and her children lived in Oxford after their house in London had been bombed. At a local auction she came across an old dolls’ house which so charmed her that she bought it and took it back on the bus with her that day. As war raged and her marriage disintegrated, she restored and furnished the dolls’ house, and began collecting others, filling the Greenes’ rented home with her miniature world. The art critic John Rothenstein, on a visit to the Greenes’ house, noted dryly that while Vivien was “attending to the needs of multifarious tiny, fragile objects, Greene looked on with a detached eye”.
After the marriage ended, she travelled the world to add to her collection, and in the 1960s Greene gave her the money to build the Rotunda, a dolls’ house museum at her home near Oxford. By the mid-1990s, the Rotunda contained some 41 miniature castles, cottages and manors, all furnished down to the last tiny piece of porcelain. Her expertise in the field of historic dolls’ houses and their social history was such that she received visitors from all over the world. She herself continued to travel widely, despite failing eyesight. Vivien Dayrell-Browning Greene died in Oxfordshire at the age of 99.
Her publications include English Dolls’ Houses of the 18th and 19th Centuries (1955) and The Vivien Greene Dolls’ House Collection (1995). Below is a picture of the Portobello Doll’s House (1700-1710). This Doll’s House was part of the Vivien Greene Collection and was acquired by Tara’s Palace at auction in 1998.
There are several features that help to determine the age of a vintage teddy:
- THE MAKER - Often, bears can be attributed to their maker simply by style or look. Premium and highly sought after bears are by makers such as Steiff, Chiltern, Joy Toys or Ideal.
- FUR OR FABRIC - Mohair was used originally. Felt was used for the pads of the earliest bears. Later, after WW1, cotton was popular (as cotton, brushed or velveteen).
- STUFFING - The earliest bears were stuffed with woodwool (excelsior), made from long, fine wood shavings. This gave the teddy a crunchy feel if squeezed.
- SHAPE - The very earliest bears had a comparatively pointed snout and longer limbs. Early bears were jointed with cardboard or metal discs, attached with metal pins.
- EYES - Originally, from 1902-1915, teddy bear eyes were wooden or leather-covered wooden boot buttons, on wire hooks or shanks. Glass eyes replaced these from WW1.
- NOSE - Generally, noses were originally hand-stiched with black or brown thread. Many makers had their own distinctive shape.